Tied to the Beat launches today
Five years of solo development. It goes live in five hours, in Early Access.
When
- Madrid, Paris, Berlin, Rome, Warsaw: 17:00
- London, Lisbon: 16:00
- Moscow, Istanbul: 18:00
- New Delhi: 20:30
- Bangkok, Hanoi, Jakarta: 22:00
- Beijing, Singapore, Kuala Lumpur, Manila: 23:00
- Tokyo, Seoul: 00:00, August 1
- Sydney: 01:00, August 1
- Auckland: 03:00, August 1
- Sao Paulo, Buenos Aires: 12:00
- Santiago: 11:00
- Bogota, Lima: 10:00
- Mexico City: 09:00
- New York: 11:00
- Los Angeles: 08:00
Price
3.99 USD / 3.99 EUR / 3.99 GBP for the first two weeks. That is 20% off the regular 4.99.
The discount runs until August 14.
Regional pricing applies and it is not a straight currency conversion. Latin America, South Asia, the Middle East and the CIS start from 3.29 USD before the discount, and Brazil, India, Indonesia and China are lower again. Your local price, already discounted, shows on the store page.
About the music
The game ships with 50 licensed songs, all cleared, all safe to stream. Every one of them has its lyrics timed, and those lyrics are what drives the combat.
You can also drop in any MP3 you own. The game transcribes it, times the lyrics and turns it into a playable level. That happens entirely on your machine and nothing is uploaded anywhere. If you stream with your own imported music, the rights to that track are yours to sort out, the same as any other footage you put online.
What is in it
- 8 playable instruments, each with its own weapon and passives
- 4 maps, 80 enemy types, 45 achievements
- 1,126 glossary entries driving 4,800 trigger words
- 31 languages
- Windows, macOS and Linux, Steam Deck compatible
Why Early Access
I am one person. The game is complete and playable end to end, but I want the people playing it to shape what comes next, and I would rather fix things in public than guess in private.
See you in five hours.